“It's a blessing and a curse, to slip so easily from one world to the next, to be so unrooted in any one reality. It keeps me from building in any of them. Just passing through: no need to fix anything or establish anything. According to some versions of reality, I've squandered my talents by wandering.”
So writes Dale of mole about wandering. Like Dale, I, too, have been a wanderer, feeling lately as if I had “squandered my talents” through all the untetheredness that has characterized my forays into the arts, languages, careers, and hobbies. Unlike Dale, though, I am not able to come to terms with my tattered journey. Some stubborn part of my thinking is still hostage to an idea that only by staying in one place and space can talent flourish in the ways in which flourishing happens both at the root and the crown.
How is it possible to delude myself this deeply about the nature of roots, when I have left behind so much and even my native tongue, so long ago now that when I hear it, it is a foreign language? A peculiar variation of the Stockholm syndrome has me bound to ideas of what it takes to live a “real” life, and this, ironically ties me deeply into limbo, from where I have been sending postcards, wishing for my company.
As I get older, the wandering is getting wearying. It’s more than just the squandered talents, now living in memory like disappointing teenagers. It is also a slower brain and a body that is showing wear and tear. It gets a bit disconcerting to be wandering with so much baggage. At times when the load is particularly heavy (as of lately), it is understandable that one should long for a place that has been fixed and well established, or (and this is what that elusive object of desire is) familiar.